A wood stack azure.
A wood stack azure.

890 x 540 x 435 (1100h with stand) Matai (recycled from old window frames), used tarpaulin (from my fathers shed), bent acrylic, French polished, brass fittings.

A woodstack azure.
A woodstack azure.

890 x 540 x 435 (1100h with stand) Matai (recycled from old window frames), used tarpaulin (from my fathers shed), bent acrylic, French polished, brass fittings.

A woodstack azure.
A woodstack azure.

890 x 540 x 435 (1100h with stand) Matai (recycled from old window frames), used tarpaulin (from my fathers shed), bent acrylic, French polished, brass fittings.

Rewarewa on rewarewa Composition #3
Rewarewa on rewarewa Composition #3

Hahnemühle photo rag, Optium museum acrylic, french polished Rewarewa, foam core, brass screws, tape.

Taraire on Taraire
Taraire on Taraire

Digital print on Hahnemühle photo rag, Museum acrylic, Taraire.

California Dreaming
California Dreaming

2023

Rewarewa on Rewarewa (composition 1)
Rewarewa on Rewarewa (composition 1)

Hahnemühle photo rag, Optium museum acrylic, french polished Kauri, foam core, brass screws, tape.

Rewarewa on Rewarewa, composition #3
Rewarewa on Rewarewa, composition #3

Hahnemühle photo rag, Optium museum acrylic, french polished Rewarewa, foam core, brass screws, tape.

Vivid Succesion
Vivid Succesion

Recycled totara paneling, acrylic, french polished.

Vivid Succesion
Vivid Succesion
Andrew Rankin and Stone Maka
Andrew Rankin and Stone Maka

Aotearoa Art Fair 2023

Image courtesy Sam Hartnett.

Dreamer 15mm f/4.5 Zero-D Shift sun flare
Dreamer 15mm f/4.5 Zero-D Shift sun flare

Hahnemühle photo rag, Optium museum acrylic, french polished Kauri, foam core, brass screws, tape.

Turnaround
Turnaround

Hahnemühle photo rag, Optium museum acrylic, french polished pine (recycled from skip at Placemakers) foam core, brass screws, tape. 1495 x 800 x 745

Turnaround, 2022
Turnaround, 2022

Hahnemühle photo rag, Optium museum acrylic, french polished pine (recycled from skip at Placemakers) foam core, brass scress, tape. 1495 x 800 x 745

Turnaround, 2022
Turnaround, 2022

Hahnemühle photo rag, Optium museum acrylic, french polished pine (recycled from skip at Placemakers) foam core, brass scress, tape. 1495 x 800 x 745

setting stones 2021
setting stones 2021

recycled cedar, digital print on hahnemuhle photo rag, museum glass, dimensions vary.

 recycled cedar, digital print on hahnemuhle photo rag, museum glass, dimensions vary.

recycled cedar, digital print on hahnemuhle photo rag, museum glass, dimensions vary.

 Setting stones  recycled cedar, digital print on hahnemuhle photo rag, museum glass, dimensions vary.

Setting stones

recycled cedar, digital print on hahnemuhle photo rag, museum glass, dimensions vary.

installation view
installation view

recycled cedar, digital print on hahnemuhle photo rag, museum glass, dimensions vary.

setting stones 2021
setting stones 2021

recycled cedar, digital print on hahnemuhle photo rag, museum glass, dimensions vary.

Still life of mass and void
Still life of mass and void

1250x990x490mm, Acrylic on paper, Kauri (felled by Kaipara District Council circa 1990), French polished, Plexiglass, foam-core.

Still Life of mass and void.
Still Life of mass and void.

1250x990x490mm, Acrylic on paper, Kauri (felled by Kaipara District Council circa 1990), French polished, Plexiglass, foam-core.

 Double Beam  Platform Gallery, Parnell.

Double Beam

Platform Gallery, Parnell.

Andrew Rankin
Andrew Rankin

Double beam. 2019

1050mm x 320mm x 475mm

Kauri (French polished), bent plexiglass, brass screws, digital print on Ilford fine art matt 310gsm.

 Double beam. 2019  1050mm x 320mm x 475mm  Kauri (French polished), bent plexiglass, brass screws, digital print on Ilford fine art matt 310gsm.

Double beam. 2019

1050mm x 320mm x 475mm

Kauri (French polished), bent plexiglass, brass screws, digital print on Ilford fine art matt 310gsm.

Sun flare through AF-S Nikkor 14-24mm F2.8G ED. (Exhibition drive)
Sun flare through AF-S Nikkor 14-24mm F2.8G ED. (Exhibition drive)

Epson enhanced matte, kauri(French polished), bent plexiglass.

Image by Mark Hamilton, courtesy of Weasel Gallery

Installation view
Installation view

Image by Mark Hamilton, courtesy of Weasel Gallery

Parataniwha of Exhibition Drive.
Parataniwha of Exhibition Drive.

Digital print on Epson enhanced matte 189gsm, plexiglass, wood(kauri) stainles steel. 2019.

Parataniwha of Exhibition Drive -reverse view
Parataniwha of Exhibition Drive -reverse view

Epson enhanced matte 189gsm, plexiglass, foamcore, wood(Kauri), Stainless steel.

Shadows cast on hahnemuhle 300gsm paper printed onto Epson enhanced matte.
Shadows cast on hahnemuhle 300gsm paper printed onto Epson enhanced matte.

Teak frame, Epson enhanced matte, bent plexiglass.


Image by Mark Hamilton, courtesy of Weasel Gallery

1972
1972

Recycled pine packers(laminated), photographic print on Epson enhanced Matte, bent plexiglass.

520x740x140

Detail view: The time travelling object.
Detail view: The time travelling object.

Photographic prints on Epson 189gsm Matte, foamcore, Pine (recycled packing spacers), plexiglass, hardware. Dimensions variable.

The University of Auckland, Elam Graduate Show. 2018

Detail view: The time travelling object.
Detail view: The time travelling object.

Photographic prints on Epson 189gsm Matte, foamcore, Pine (recycled packing spacers), plexiglass, hardware. Dimensions variable.

The University of Auckland, Elam Graduate Show. 2018

The time travelling object, installation view.
The time travelling object, installation view.

Photographic prints on Epson 189gsm Matte, foamcore, Pine (recycled packing spacers), plexiglass, hardware. Dimensions variable.

The University of Auckland, Elam Graduate Show. 2018

Log. ¾ view. 2018
Log. ¾ view. 2018

Inkjet print(s) of manuka Log with ¼ removed on Epson enhanced matte 189gsm, plexiglass, wood, steel.

Log. ¾ view. 2018, and Log. looking up/down, front/back.
Log. ¾ view. 2018, and Log. looking up/down, front/back.

plexiglass, wood, inkjet print(s) on Epson enhanced matte 189gsm.

Photo of soft cushion (bent) 2018
Photo of soft cushion (bent) 2018

plexiglass, wood, inkjet print(s) on Epson enhanced matte 189gsm.

The distance in memory [mise en abyme]
The distance in memory [mise en abyme]

 

Macrocarpa, glass, mirror, digital photograph, LED lights.

1890 x 890 x 130

Caves Gallery
Caves Gallery

Caves Gallery, Melbourne, Australia. Casey Jeffery, Andrew Rankin (NZ)

2 - 24 March, 2018

Photo courtesy of Ruben Bull-Milne

Pink and clear stairs.
Pink and clear stairs.

Photographic prints on Epson 189gsm Matte, foamcore, Pine (recycled packing spacers), plexiglass, hardware. Dimensions variable. 2018.

T

Do not look at this photo of a photo of a reproduction of a painting on a book in book in a frame reproducing the form of a book. 2018
Do not look at this photo of a photo of a reproduction of a painting on a book in book in a frame reproducing the form of a book. 2018

plexiglass, wood, steel, inkjet print on Epson enhanced matte 189gsm.

Caves Gallery, Melbourne, Victoria, Australia.
Caves Gallery, Melbourne, Victoria, Australia.

Casey Jeffery, Andrew Rankin (NZ)

2 - 24 March, 2018

Photo courtesy of Ruben Bull-Milne

'i'
'i'

2017

wood plinth, plexiglass, object.

1900 x 470 x 470

'i' detail
'i' detail

Group show at Antoinette Godkin Art House 2017. Photo courtesy of www.artsdiary.co.nz

'i' detail
'i' detail
group show at Antoinette Godkin Art House, 2017.
group show at Antoinette Godkin Art House, 2017.

photo courtesy of www.artsdiary.co.nz

'i' reflected in 'O'
'i' reflected in 'O'

2017

Glass, mirror, LED lights. Digital print, wood.

620 x 380

'O' with soft wood.
'O' with soft wood.

2017

 

_43A5107.jpg
George Fraser Gallery, group show. 2017
George Fraser Gallery, group show. 2017

photo courtesy of www.artsdiary.co.nz

backview.jpg
_DSC0586.jpg
027A4094.jpg
20151201_143223.jpg
IMG_9610.jpg
IMG_9778-2.jpg
A wood stack azure.
A woodstack azure.
A woodstack azure.
Rewarewa on rewarewa Composition #3
Taraire on Taraire
California Dreaming
Rewarewa on Rewarewa (composition 1)
Rewarewa on Rewarewa, composition #3
Vivid Succesion
Vivid Succesion
Andrew Rankin and Stone Maka
Dreamer 15mm f/4.5 Zero-D Shift sun flare
Turnaround
Turnaround, 2022
Turnaround, 2022
setting stones 2021
 recycled cedar, digital print on hahnemuhle photo rag, museum glass, dimensions vary.
 Setting stones  recycled cedar, digital print on hahnemuhle photo rag, museum glass, dimensions vary.
installation view
setting stones 2021
Still life of mass and void
Still Life of mass and void.
 Double Beam  Platform Gallery, Parnell.
Andrew Rankin
 Double beam. 2019  1050mm x 320mm x 475mm  Kauri (French polished), bent plexiglass, brass screws, digital print on Ilford fine art matt 310gsm.
Sun flare through AF-S Nikkor 14-24mm F2.8G ED. (Exhibition drive)
Installation view
Parataniwha of Exhibition Drive.
Parataniwha of Exhibition Drive -reverse view
Shadows cast on hahnemuhle 300gsm paper printed onto Epson enhanced matte.
1972
Detail view: The time travelling object.
Detail view: The time travelling object.
The time travelling object, installation view.
Log. ¾ view. 2018
Log. ¾ view. 2018, and Log. looking up/down, front/back.
Photo of soft cushion (bent) 2018
The distance in memory [mise en abyme]
Caves Gallery
Pink and clear stairs.
Do not look at this photo of a photo of a reproduction of a painting on a book in book in a frame reproducing the form of a book. 2018
Caves Gallery, Melbourne, Victoria, Australia.
'i'
'i' detail
'i' detail
group show at Antoinette Godkin Art House, 2017.
'i' reflected in 'O'
'O' with soft wood.
_43A5107.jpg
George Fraser Gallery, group show. 2017
backview.jpg
_DSC0586.jpg
027A4094.jpg
20151201_143223.jpg
IMG_9610.jpg
IMG_9778-2.jpg
A wood stack azure.

890 x 540 x 435 (1100h with stand) Matai (recycled from old window frames), used tarpaulin (from my fathers shed), bent acrylic, French polished, brass fittings.

A woodstack azure.

890 x 540 x 435 (1100h with stand) Matai (recycled from old window frames), used tarpaulin (from my fathers shed), bent acrylic, French polished, brass fittings.

A woodstack azure.

890 x 540 x 435 (1100h with stand) Matai (recycled from old window frames), used tarpaulin (from my fathers shed), bent acrylic, French polished, brass fittings.

Rewarewa on rewarewa Composition #3

Hahnemühle photo rag, Optium museum acrylic, french polished Rewarewa, foam core, brass screws, tape.

Taraire on Taraire

Digital print on Hahnemühle photo rag, Museum acrylic, Taraire.

California Dreaming

2023

Rewarewa on Rewarewa (composition 1)

Hahnemühle photo rag, Optium museum acrylic, french polished Kauri, foam core, brass screws, tape.

Rewarewa on Rewarewa, composition #3

Hahnemühle photo rag, Optium museum acrylic, french polished Rewarewa, foam core, brass screws, tape.

Vivid Succesion

Recycled totara paneling, acrylic, french polished.

Vivid Succesion
Andrew Rankin and Stone Maka

Aotearoa Art Fair 2023

Image courtesy Sam Hartnett.

Dreamer 15mm f/4.5 Zero-D Shift sun flare

Hahnemühle photo rag, Optium museum acrylic, french polished Kauri, foam core, brass screws, tape.

Turnaround

Hahnemühle photo rag, Optium museum acrylic, french polished pine (recycled from skip at Placemakers) foam core, brass screws, tape. 1495 x 800 x 745

Turnaround, 2022

Hahnemühle photo rag, Optium museum acrylic, french polished pine (recycled from skip at Placemakers) foam core, brass scress, tape. 1495 x 800 x 745

Turnaround, 2022

Hahnemühle photo rag, Optium museum acrylic, french polished pine (recycled from skip at Placemakers) foam core, brass scress, tape. 1495 x 800 x 745

setting stones 2021

recycled cedar, digital print on hahnemuhle photo rag, museum glass, dimensions vary.

recycled cedar, digital print on hahnemuhle photo rag, museum glass, dimensions vary.

Setting stones

recycled cedar, digital print on hahnemuhle photo rag, museum glass, dimensions vary.

installation view

recycled cedar, digital print on hahnemuhle photo rag, museum glass, dimensions vary.

setting stones 2021

recycled cedar, digital print on hahnemuhle photo rag, museum glass, dimensions vary.

Still life of mass and void

1250x990x490mm, Acrylic on paper, Kauri (felled by Kaipara District Council circa 1990), French polished, Plexiglass, foam-core.

Still Life of mass and void.

1250x990x490mm, Acrylic on paper, Kauri (felled by Kaipara District Council circa 1990), French polished, Plexiglass, foam-core.

Double Beam

Platform Gallery, Parnell.

Andrew Rankin

Double beam. 2019

1050mm x 320mm x 475mm

Kauri (French polished), bent plexiglass, brass screws, digital print on Ilford fine art matt 310gsm.

Double beam. 2019

1050mm x 320mm x 475mm

Kauri (French polished), bent plexiglass, brass screws, digital print on Ilford fine art matt 310gsm.

Sun flare through AF-S Nikkor 14-24mm F2.8G ED. (Exhibition drive)

Epson enhanced matte, kauri(French polished), bent plexiglass.

Image by Mark Hamilton, courtesy of Weasel Gallery

Installation view

Image by Mark Hamilton, courtesy of Weasel Gallery

Parataniwha of Exhibition Drive.

Digital print on Epson enhanced matte 189gsm, plexiglass, wood(kauri) stainles steel. 2019.

Parataniwha of Exhibition Drive -reverse view

Epson enhanced matte 189gsm, plexiglass, foamcore, wood(Kauri), Stainless steel.

Shadows cast on hahnemuhle 300gsm paper printed onto Epson enhanced matte.

Teak frame, Epson enhanced matte, bent plexiglass.


Image by Mark Hamilton, courtesy of Weasel Gallery

1972

Recycled pine packers(laminated), photographic print on Epson enhanced Matte, bent plexiglass.

520x740x140

Detail view: The time travelling object.

Photographic prints on Epson 189gsm Matte, foamcore, Pine (recycled packing spacers), plexiglass, hardware. Dimensions variable.

The University of Auckland, Elam Graduate Show. 2018

Detail view: The time travelling object.

Photographic prints on Epson 189gsm Matte, foamcore, Pine (recycled packing spacers), plexiglass, hardware. Dimensions variable.

The University of Auckland, Elam Graduate Show. 2018

The time travelling object, installation view.

Photographic prints on Epson 189gsm Matte, foamcore, Pine (recycled packing spacers), plexiglass, hardware. Dimensions variable.

The University of Auckland, Elam Graduate Show. 2018

Log. ¾ view. 2018

Inkjet print(s) of manuka Log with ¼ removed on Epson enhanced matte 189gsm, plexiglass, wood, steel.

Log. ¾ view. 2018, and Log. looking up/down, front/back.

plexiglass, wood, inkjet print(s) on Epson enhanced matte 189gsm.

Photo of soft cushion (bent) 2018

plexiglass, wood, inkjet print(s) on Epson enhanced matte 189gsm.

The distance in memory [mise en abyme]

 

Macrocarpa, glass, mirror, digital photograph, LED lights.

1890 x 890 x 130

Caves Gallery

Caves Gallery, Melbourne, Australia. Casey Jeffery, Andrew Rankin (NZ)

2 - 24 March, 2018

Photo courtesy of Ruben Bull-Milne

Pink and clear stairs.

Photographic prints on Epson 189gsm Matte, foamcore, Pine (recycled packing spacers), plexiglass, hardware. Dimensions variable. 2018.

T

Do not look at this photo of a photo of a reproduction of a painting on a book in book in a frame reproducing the form of a book. 2018

plexiglass, wood, steel, inkjet print on Epson enhanced matte 189gsm.

Caves Gallery, Melbourne, Victoria, Australia.

Casey Jeffery, Andrew Rankin (NZ)

2 - 24 March, 2018

Photo courtesy of Ruben Bull-Milne

'i'

2017

wood plinth, plexiglass, object.

1900 x 470 x 470

'i' detail

Group show at Antoinette Godkin Art House 2017. Photo courtesy of www.artsdiary.co.nz

'i' detail
group show at Antoinette Godkin Art House, 2017.

photo courtesy of www.artsdiary.co.nz

'i' reflected in 'O'

2017

Glass, mirror, LED lights. Digital print, wood.

620 x 380

'O' with soft wood.

2017

 

George Fraser Gallery, group show. 2017

photo courtesy of www.artsdiary.co.nz

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